Mihaly Munkacsy
1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
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Mihaly Munkacsy A Study for oil painting


A Study for
1899(1899) Medium oil on panel Dimensions Height: 61 cm (24 in). Width: 49.2 cm (19.4 in). cjr
Painting ID::  94034 		Mihaly Munkacsy
A Study for
1899(1899) Medium oil on panel Dimensions Height: 61 cm (24 in). Width: 49.2 cm (19.4 in). cjr
   
   
     
Mihaly Munkacsy Az isaszegi csatater oil painting


Az isaszegi csatater
1868(1868) Medium oil on canvas cyf
Painting ID::  97242 		Mihaly Munkacsy
Az isaszegi csatater
1868(1868) Medium oil on canvas cyf
   
   
     
Mihaly Munkacsy At the Watering Trough oil painting


At the Watering Trough
1869(1869) Medium oil on canvas cyf
Painting ID::  97715 		Mihaly Munkacsy
At the Watering Trough
1869(1869) Medium oil on canvas cyf
   
   
     
Mihaly Munkacsy The Last Day of a Condemned Man I oil painting


The Last Day of a Condemned Man I
1869-70 Medium oil on canvas cyf
Painting ID::  97717 		Mihaly Munkacsy
The Last Day of a Condemned Man I
1869-70 Medium oil on canvas cyf
   
   
     
Mihaly Munkacsy Study for Milton oil painting


Study for Milton
1877(1877) Medium oil on canvas Dimensions Height: 55.5 cm (21.9 in). Width: 46.4 cm (18.3 in).
Painting ID::  98359 		Mihaly Munkacsy
Study for Milton
1877(1877) Medium oil on canvas Dimensions Height: 55.5 cm (21.9 in). Width: 46.4 cm (18.3 in).
   
   
     
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     Mihaly Munkacsy
     1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.

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